Clic-clac

Bahar Temiz

Clic-clac stands for a pull sofa in French. It at the same time is the solo version of a play designed for a group of six in July. In this 10 minutes’ short-play named Lila Saba, it is investigated how choreographic elements differing from each other in terms of the use of time and space, structure and type, simultaneously, without trying to protect a definite hierarchic structure can exist together. Tom Tykwer’s “The Princess + The Warrior”, Umberto Eco’s “The Mysterious Flame of Queen Loana”as well as dance and comic books have been sources for Lila Saba. The reasons to adapt as a solo work is the difficulties of working with others and the advantages that come with solo performance.

Clic-Clac is a fragment of a film that never can be watched. The choreography is the editing in this piece (music: Bicycle Day, Luna).