Lenka Klimesova ile röportaj

Interview with Lenka Klimesova./ amber09

Which art project do you attend the Amber Festival with?

Future Kiss

Award

2009 Prix Ars Electronica – HONORARY MENTION / Interactive Art

It was exhibited:

2009

FRIEZE ART FAIR / Impossible exchange – Brina Thurston (16.10.) – Londýn (UK)

ARS ELECTRONICA FESTIVAL / Human Nature – OK Center, Linz (A)

OPEN FOR TECHNICAL REASONS – Nitra gallery / Gallery for Youth, Nitra (SK)

CONTAINERS OF ART – The Brno House of Arts, Brno (CZ)

ALL AND NOW / Majolenka – MUG, Trento (I)

2008

TOUCH ME FESTIVAL 2008 / Feel better! – Student Center, Zagreb (HR)

ECSTATIC BODIES – 13m3, Bratislava (SK)

What is your aim with your art work?

Project Future Kiss addresses a problem of epidemic attacks (pig flu, bird flu,…) nowadays and also in the future. It prevents a loss of personal intimacy due to the spread of technology in our material world. The art work tries to find new way of intimacy by using new technology. Future Kiss works with a specific situation, when we wouldn’t be able to touch each other because of health purposes.

How does your project works?

Future Kiss is an interactive object. It contains one couple of special hygienic masks. There are more ways of its presentation. Mostly it was presented as happening or installation. You can see an installation in Amber Festival. Participants kiss each other with the mask on their faces. The mask here serves as a mediator in the sensual, but also emotional exchange: on ‘detecting’ a kiss, the sensor activates a gentle vibration that is also an emotion in abstracted form or a simulation of emotion. The mask is capable of vibration only if participants find truth love. In other case it doesn’t work and you have to seek again.

Could you describe your process of creation?

Usually I spontaneously decide on a topic and start processing it immediately. Then improvise at the very creation, because I most influence the process. During the improvisation I think the concept of why I’m doing, and what I basically mean. Sometimes I find that it is better to leave so that the process is strong in itself. Sometimes I have to better make their intention to apply scenario, but even that is mostly just a schematic and again leaves space for improvisation. Personally, I think they are important both procedures. Improvisation can not function without the concept and vice versa. Works have a clear mission, which always identifies the concepts work. Rather I try to make up for the visually compelling works of the audience thought about different life situations – over himself.

How long have you been producing digital art?

As long as a digital art has been producing myself. It’s inevitable influence. Digital technology is mesmeric for me.

How do you describe your art as an artist using technology?

I contend: “Technology in the visual arts has to show, invent or anticipate its own future impact on the earth and life. Anything else is only an embarrassing demo of technology’s dexterity.”

What made you choose digital media as medium?

It is not about choice but about internal voice, destiny, period and space. I use various media, not only digital, and still research new discourses for making art.

Do you have aesthetic concerns while producing your art?

Concept of my works often includes a moral aspect and deconstruction of aesthetic paradigm. Aesthetic is very intricate term. By working with the topics as body, gender, feminism and role models compile an aesthetic targeted in its basis.

What do you think about the literal and figurative integrations of the human body and technology?

Integration between human body and technology is an inevitable process. It is already quite common nowadays. As a perfect example but not only bring the modern practice of medicine today.

What we may become as a result of our increasing engagements with technology?

Representation of the future person may be a mobile, individual, cybernetic human who is at the same time dependent on other people. This dependence makes the difference between a human and a robot.

Links: http://www.ok-centrum.at/ausstellungen/cyberarts_09/cyberarts_09.html

http://www.kontejner.org/kiss-future-english

Video: http://www.vimeo.com/2468588

http://www.vimeo.com/5668295

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calls for amber’11 “NEXT ECOLOGY”

amberFestival>>>

amber’11 Art and Technology Festival
4-13 November 2011, Istanbul

NEXT ECOLOGY
call for artworks

deadline for submissions: 10th of August 2011
submit your work >

amberFestival is interested in interactive installations that explore the theme of “NEXT ECOLOGY” in today’s world.

We see the theme as a tool to think and work with, and the festival as an opportunity to raise an artistic voice. You alone will define that voice.

The works selected among the applications to this international call, will be exhibited at amber’11 Art and Technology Festival. We also encourage outdoor interactive installations.

Details »

Playface Intercult – Museum Quertier, Viyana

PlayFace InterCult

Duration:
Apr 21 to May 8, daily 10:00-19:00
Venue: freiraum quartier21 INTERNATIONAL
Opening: Wed, Apr 20, 19:00
Free admission!

Folder

“PlayFace InterCult” offers a playful exploration of the interfaces between humans and machines, curated by Ekmel Ertan, Martin Kaltenbrunner, and Georg Russegger.

On view in the freiraum quartier21 INTERNATIONAL exhibition space, it is presented in cooperation with the Federal Ministry for European and International Affairs and features selected projects by the Interface Culture Lab at the Linz University of Art and young media art from the Istanbul-based amber Art and Technology Platform.

Participating artists include Nagehan Kurali (TUR), Osman Koc (TUR), Muharrem Yildirim (TUR) & Aytac Kanaci (TUR), Ahmet Türkoglu (TUR), Murat Durusoy (TUR), Selin Özcelik (TUR), Vesela Mihaylova (BUL), Timothy Devine (AUS), Tiago Martins (POR), Ricardo O’Nascimento (BRA), Andreas Zingerle (AUT), Reinhard Gupfinger (AUT), Mar Canet (ESP), Jayme Cochrane (CAN), and Travis Kirton (CAN). The exhibits are interactive and designed to provide visitors with a hands-on experience.


Side program
in English
Date:
May 6, 11:00-21:00
Venue:
freiraum quartier21 INTERNATIONAL

11:00-13:00 “Morning Session” Workshop following the exhibition
14:00-17:00 amberPlatform Istanbul. Presentation of works from amberFestival, Artists-in-Residence of quartier21.
16:00-19:00 “Thumb fu” Workshop. Creating Hand-puppets with sensors and sound for Kung-Fu-Fighting. Thumb Fu! is super enhanced thumb wrestling. The artists use conductive fabric and thread to create thumb suits. When the characters touch, sound effects are triggered.
19:00 “PlayFace InterCult – Beyond Gaming”. Lecture with Ekmel Ertan, Martin Kaltenbrunner and Georg Russegger. Introduction of Interface Cultures Lab, the Ludic Interfaces Project, and amberFestival. Backgrounds to the cooperation and networks with practical examples from the exhibition will be presented.
20:00 ReactablePerformance by Martin Kaltenbrunner

image: TypeCity:Istanbul (c) Travis Kirton

 

ENTER: DATAPOLIS (April 14-17, 2011)

Prague Call for Participation | Deadline 22|2|2011

ENTER: DATAPOLIS (April 14-17, 2011) is the 5th art | tech biennale held in
Prague, Czech Republic, organized by CIANT.

ENTER: DATAPOLIS festival is realized in the framework of Global Gateweay project supported by Istanbul 2010 European Capital Of Culture – Civil Society Dialogue Grant Program. BIS (amberPlatform) is one of the partners of the Global Gateway project.
See http://datacity.amberplatform.org and http://10.amberfestival.org as well as http://www.globalgatewayproject.eu
http://www.amberplatform.org

http://festival-enter.cz

Exhibitions | Performances | Lectures | Debates | Workshops | Screenings

DATAPOLIS is a call for theory and practice based proposals addressing
emerging interactions of media technologies, novel visualization practices
and urban realities.

Details »

amberConference’10; 4-7 November 2010; Program

4-7 November 2010, İstanbul Modern Cinema Hall
www.amberconference.org

briefly

The second international conference of amberConference will be held in conjunction with the amber’10 Art and Technology Festival, on 6,7 November 2010 in Istanbul, Turkey. The aims and scope of this conference are to create a platform of discussion and dissemination for the various themes and topics in which Science, Art and Technology converge.

Details »

amber’10 Art and Technology Festival is on

amber’10 Art and Technology Festival, 5th-14th of  November 2010,

Sanat Limanı (Antrepo No:5)

amber’10 Art and Technology Festival “DA T ACITY” 5-14 November 2010 Sanat Limanı (Antrepo No:5)
amber’10 Art and Technology Festival which has chosen its theme for this year as “Datacity” with the intention of drawing attention to the increasing importance of the generation and utilization of any kind of data on cities and urban life, will also be hosting “amberConference” which is going to be held for the second time this year focusing on issues around “City and Data”.

amberFestival organized by BIS (Body Process Arts Association) since 2007, will meet its audience for the fourth time this year.
amberFestival continuing to be the only Art and Tehnology/Media Arts festival of Turkey is being supported by Istanbul 2010 European Capital of Culture Agency since 2008.

Details »

amberPlatform hosting “PLAY THE CITY” organized by TREC

27th of September – 20th of October

YAPYAŞA, an interactive city game, is part of ‘PLAY THE CITY’, an Istanbul-Netherlands based city research and design program running until 2012, initiated by TReC (The Responsive City).

Details »

Datacity Seminar Series

18th September – 30th October

Datacity Seminar Series

Talks in the conjunction of the Data and the City
Every Saturday between 16:00-19:00 at amberPlatform (Karaköy)

http://datacity.amberplatform.org

Xarene ile röportaj

Interview with Xarene./amber09

Which art project do you attend the Amber Festival with? Details »

Hans Bernhard ile röportaj

Interview with Hans Bernhard

Which art project do you attend the Amber Festival with? Details »

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